Paolo Rumiz eBooks

eBooks di Paolo Rumiz con argomento Europe

Paolo Rumiz è scrittore e giornalista triestino, inviato speciale del «Piccolo» di Trieste ed editorialista de «La Repubblica». Esperto del tema delle Heimat e delle identità in Italia e in Europa, dal 1986 segue gli eventi dell’area balcanico-danubiana. Nel 2001 invece segue, prima da Islamabad e poi da Kabul, l'attacco statunitense all'Afghanistan. Vince il premio Hemingway nel 1993 per i suoi servizi dalla Bosnia e il premio Max David nel 1994 come migliore inviato italiano dell’anno. Ha pubblicato, tra l’altro, Danubio. Storie di una nuova Europa (1990), Vento di terra (1994), Maschere per un massacro (1996), La linea dei mirtilli (1993), La secessione leggera (2001), È Oriente (2003), Gerusalemme perduta (2005), La leggenda dei monti naviganti (2007), Annibale. Un viaggio (2008), L'italia in seconda classe, con i disegni di Altan e una Premessa del misterioso 740 (2009), La cotogna di Istanbul (2010), Il bene ostinato (2011), A piedi (2012), Trans Europa Express (2012), Morimondo (2013) e nella collana digitale 'Zoom' Maledetta Cina (2012) e Il cappottone di Antonio Pitacco (2012). Del 2014 è Come cavalli che dormoni in piedi; del 2016 Appia e Dal libro dell'esodo (con Cécile Kyenge).
EBOOK   9788858860878

They will come by night: The Specter of Barbarism in Europe. E-book. Formato EPUB Paolo Rumiz   -  Feltrinelli Editore, 2024  - 

Trains, refugees, military convoys in the dark. During a long sleepless night next to the woodburning stove, on Italy’s Eastern frontier, Paolo Rumiz senses the ill omens of a Europe besieged by wars and governed by the powers of a savage economy. He receives alarming signals from France, Germany, Spain, Greece, and the Baltic countries and wonders how to fend them off. Orwell has come to Brussels, the principles of the European Constitution are in ruins, barrier borders are coming back. All around, war against the human lives that are migrating, war of all against all, a heavy atmosphere of inhumanity and indifference. The man in the dark feels that barbarians could arrive at any time, and he understands that the word "fascism" is inadequate to define them. Behind fascism there was at least an idea of society, behind the barbarians there is only a false identity constructed by influencers and devoid of the sweet scent of the homeland. And it is at night that they get on the move, digiting words of hate on the web. The new barbarians are making better use than anyone of this perverse machine to fill the political vacuum created by the lightweight left, distant from the people and devoid of ethics. But just when "all the accordions of the night seem to be playing together", Rumiz discovers myriad points of light from the Atlantic to the lands of the East. In Germany, but also elsewhere, millions have taken to the streets against the sovereigntists. That’s when he feels the demon of irony and struggle growing within him, and at the same time his trust in the power of the word of which he feels himself the guardian. Then the sky clears, and the shadows flee into the nooks and crannies of the woods.

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