Robert Louis Stevenson eBooks

eBooks di Robert Louis Stevenson editi da Skyline LETTERATURA E STUDI LETTERARI

Robert Louis Stevenson nasce a Edimburgo nel 1850. La sua giovinezza è segnata da problemi di salute. Viaggia in tutta Europa e abbandona gli studi per dedicarsi alla letteratura. Nel 1880 a San Francisco sposa Fanny Osbourne, un’americana separata, aggravando un conflitto già aperto con la sua famiglia puritana. Raggiunge il successo con la pubblicazione a puntate del grande romanzo d’avventura L’isola del tesoro, successo consacrato nel 1886 con l’uscita di Lo strano caso del dottor Jekyll e del signor Hyde. Muore nel 1894 in un’isola delle Samoa, dove si era stabilito dopo un viaggio nei mari del Sud.
EBOOK   9788892519244

Essays in the Art of Writing . E-book. Formato EPUB Robert Louis Stevenson   -  Skyline, 2015  - 

There is nothing more disenchanting to man than to be shown the springs and mechanism of any art. All our arts and occupations lie wholly on the surface; it is on the surface that we perceive their beauty, fitness, and significance; and to pry below is to be appalled by their emptiness and shocked by the coarseness of the strings and pulleys. In a similar way, psychology itself, when pushed to any nicety, discovers an abhorrent baldness, but rather from the fault of our analysis than from any poverty native to the mind. And perhaps in æsthetics the reason is the same: those disclosures which seem fatal to the dignity of art seem so perhaps only in the proportion of our ignorance; and those conscious and unconscious artifices which it seems unworthy of the serious artist to employ were yet, if we had the power to trace them to their springs, indications of a delicacy of the sense finer than we conceive, and hints of ancient harmonies in nature.

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EBOOK   9788892519244

Essays in the Art of Writing . E-book. Formato Mobipocket Robert Louis Stevenson   -  Skyline, 2015  - 

There is nothing more disenchanting to man than to be shown the springs and mechanism of any art. All our arts and occupations lie wholly on the surface; it is on the surface that we perceive their beauty, fitness, and significance; and to pry below is to be appalled by their emptiness and shocked by the coarseness of the strings and pulleys. In a similar way, psychology itself, when pushed to any nicety, discovers an abhorrent baldness, but rather from the fault of our analysis than from any poverty native to the mind. And perhaps in æsthetics the reason is the same: those disclosures which seem fatal to the dignity of art seem so perhaps only in the proportion of our ignorance; and those conscious and unconscious artifices which it seems unworthy of the serious artist to employ were yet, if we had the power to trace them to their springs, indications of a delicacy of the sense finer than we conceive, and hints of ancient harmonies in nature.

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