Horace Walpole eBooks
eBooks di Horace Walpole editi da Simone Vannini di Formato Mobipocket
Hieroglyphic tales. E-book. Formato Mobipocket Horace Walpole - Simone Vannini, 2015 -
As the invaluable present I am making to the world may not please all tastes, from the gravity of the matter, the solidity of the reasoning, and the deep learning contained in the ensuing sheets, it is necessary to make some apology for producing this work in so trifling an age, when nothing will go down but temporary politics, personal satire, and idle romances. The true reason then for my surmounting all these objections was singly this: I was apprehensive lest the work should be lost to posterity; and though it may be condemned at present, I can have no doubt but it will be treated with due reverence some hundred ages hence, when wisdom and learning shall have gained their proper ascendant over mankind, and when men shall only read for instruction and improvement of their minds.
The castle of Otranto. E-book. Formato Mobipocket Horace Walpole - Simone Vannini, 2015 -
The following work was found in the library of an ancient Catholic family in the north of England. It was printed at Naples, in the black letter, in the year 1529. How much sooner it was written does not appear. The principal incidents are such as were believed in the darkest ages of Christianity; but the language and conduct have nothing that savours of barbarism. The style is the purest Italian.If the story was written near the time when it is supposed to have happened, it must have been between 1095, the era of the first Crusade, and 1243, the date of the last, or not long afterwards. There is no other circumstance in the work that can lead us to guess at the period in which the scene is laid: the names of the actors are evidently fictitious, and probably disguised on purpose: yet the Spanish names of the domestics seem to indicate that this work was not composed until the establishment of the Arragonian Kings in Naples had made Spanish appellations familiar in that country. The beauty of the diction, and the zeal of the author (moderated, however, by singular judgment) concur to make me think that the date of the composition was little antecedent to that of the impression. Letters were then in their most flourishing state in Italy, and contributed to dispel the empire of superstition, at that time so forcibly attacked by the reformers. It is not unlikely that an artful priest might endeavour to turn their own arms on the innovators, and might avail himself of his abilities as an author to confirm the populace in their ancient errors and superstitions. If this was his view, he has certainly acted with signal address. Such a work as the following would enslave a hundred vulgar minds beyond half the books of controversy that have been written from the days of Luther to the present hour.