Maria Tsaneva eBooks
eBooks di Maria Tsaneva editi da By Blagoy Kiroff di Formato Mobipocket
Burne-Jones: 262 colour plates. E-book. Formato Mobipocket Maria Tsaneva - By Blagoy Kiroff, 2015 -
Sir Edward Burne-Jones was the greatest of the second generation Pre-Raphaelites. Burne-Jones's aim in art is best given in some of his own words, written to a friend:"I mean by a picture a beautiful, romantic dream of something that never was, never will be - in a light better than any light that ever shone - in a land no one can define or remember, only desire - and the forms divinely beautiful - and then I wake up, with the waking of Brynhild."He considered that art should be valued as an object of beauty engendering a sensual response, rather than for the story or moral implicit in the subject matter. In many ways this was antithetical to the ideals of Ruskin and the early Pre-Raphaelites. Insofar as this was directed against the lack of realism in his pictures, it was beside the point. The earth, the sky, the rocks, the trees, the men and women of Burne-Jones are not those of this world; but they are themselves a world, consistent with itself, and having therefore its own reality. Yet it is a dreamer always whose nature penetrates these works.
Francois Boucher: 270 colour plates. E-book. Formato Mobipocket Maria Tsaneva - By Blagoy Kiroff, 2015 -
François Boucher (1703 – 1770) was a French painter, a proponent of Rococo taste, known for his idyllic and voluptuous paintings on classical themes, decorative allegories representing the arts or pastoral occupations, intended as a sort of two-dimensional furniture. He was perhaps the most celebrated decorative artist of the 18th century. He also painted several portraits of his illustrious patroness, Madame de Pompadour.Along with his painting, Boucher also designed theatre costumes and sets, closely parallel his own style of painting. Tapestry design was also a concern. For the Beauvais tapestry workshops he first designed a series of "Italian festivals" in 1736, which proved to be very successful and often rewoven over the years, and then, commissioned in 1737, a suite of the story of Cupid and Psyche. During two decades' involvement with the Beauvais tapestry workshops Boucher produced designs for six series of hangings in all. Only his appointment in 1755 as director of the rival Gobelins terminated the association. He was also called upon for designs for court festivities organized by that section of the King's household called the Menus-Plaisirs du Roi and for the opera and for royal châteaux Versailles, Fontainebleau and Choisy. His designs for all of the aforementioned augmented his earlier reputation, resulting in many engravings from his work and even reproduction of his designs on porcelain and biscuit-ware at the Vincennes and Sèvres factories.