Havelock Ellis eBooks
eBooks di Havelock Ellis editi da Pubme
Criminal anthropology. E-book. Formato EPUB Havelock Ellis - Pubme, 2015 -
Of criminals, actual or nominal, there are many kinds. It is necessary, first of all, to enumerate the chief varieties.There is the political criminal. By this term is meant the victim of an attempt by a more or less despotic Government to preserve its own stability. The word “criminal” in this expression is usually a euphemism to express the suppression of a small minority by the majority. The aims of the “political criminal” may be anti-social, and in that case he is simply an ordinary criminal, but he is not necessarily guilty of any anti-social offence; he simply tries to overturn a certain political order which may itself be anti-social. Consequently the “political criminal” of our time or place may be the hero, martyr, saint, of another land or age. The political criminal is, as Lombroso calls him, “the true precursor of the progressive movement of humanity;” or, as Benedikt calls him, the homo nobilis of whom the highest type is Christ. From any scientific point of view the use of the word crime, to express a difference of national feeling or of political opinion, is an abuse of language. Such a conception may be necessary to ensure the supremacy of a Government, just as the conception of heresy is necessary to ensure the supremacy of a Church; the prison for political dissentients corresponds to the stake for religious dissentients. A criminality which is regulated partly by chronology, partly by longitude, does not easily admit of scientific discussion.We have, again, the criminal by passion. He is usually a man of wholesome birth and of honest life, possessed of keen, even exaggerated sensibilities, who, under the stress of some great, unmerited wrong, has wrought justice for himself. Stung to sudden madness by some gross insult to his wife or wrong to his daughter, he makes an attempt on the life of the offender. The criminal by passion never becomes a recidivist; it is the social, not the anti-social, instincts that are strong within him; his crime is a solitary event in his life. Therefore he cannot figure as a serious danger to society; in some respects he serves even to quicken the social conscience and to check anti-social instincts. At the same time it is not to the advantage of society that a private individual should in a moment of passion even wreak justice; and the criminal by passion cannot complain that he in his turn becomes the victim of a social reaction.
Criminal anthropology. E-book. Formato Mobipocket Havelock Ellis - Pubme, 2015 -
Of criminals, actual or nominal, there are many kinds. It is necessary, first of all, to enumerate the chief varieties.There is the political criminal. By this term is meant the victim of an attempt by a more or less despotic Government to preserve its own stability. The word “criminal” in this expression is usually a euphemism to express the suppression of a small minority by the majority. The aims of the “political criminal” may be anti-social, and in that case he is simply an ordinary criminal, but he is not necessarily guilty of any anti-social offence; he simply tries to overturn a certain political order which may itself be anti-social. Consequently the “political criminal” of our time or place may be the hero, martyr, saint, of another land or age. The political criminal is, as Lombroso calls him, “the true precursor of the progressive movement of humanity;” or, as Benedikt calls him, the homo nobilis of whom the highest type is Christ. From any scientific point of view the use of the word crime, to express a difference of national feeling or of political opinion, is an abuse of language. Such a conception may be necessary to ensure the supremacy of a Government, just as the conception of heresy is necessary to ensure the supremacy of a Church; the prison for political dissentients corresponds to the stake for religious dissentients. A criminality which is regulated partly by chronology, partly by longitude, does not easily admit of scientific discussion.We have, again, the criminal by passion. He is usually a man of wholesome birth and of honest life, possessed of keen, even exaggerated sensibilities, who, under the stress of some great, unmerited wrong, has wrought justice for himself. Stung to sudden madness by some gross insult to his wife or wrong to his daughter, he makes an attempt on the life of the offender. The criminal by passion never becomes a recidivist; it is the social, not the anti-social, instincts that are strong within him; his crime is a solitary event in his life. Therefore he cannot figure as a serious danger to society; in some respects he serves even to quicken the social conscience and to check anti-social instincts. At the same time it is not to the advantage of society that a private individual should in a moment of passion even wreak justice; and the criminal by passion cannot complain that he in his turn becomes the victim of a social reaction.
The Dance of Life. E-book. Formato EPUB Havelock Ellis - Pubme, 2021 -
It has always been difficult for Man to realise that his life is all an art. It has been more difficult to conceive it so than to act it so. For that is always how he has more or less acted it. At the beginning, indeed, the primitive philosopher whose business it was to account for the origin of things usually came to the conclusion that the whole universe was a work of art, created by some Supreme Artist, in the way of artists, out of material that was practically nothing, even out of his own excretions, a method which, as children sometimes instinctively feel, is a kind of creative art. The most familiar to us of these primitive philosophical statements—and really a statement that is as typical as any—is that of the Hebrews in the first chapter of their Book of Genesis. We read there how the whole cosmos was fashioned out of nothing, in a measurable period of time by the art of one Jehovah, who proceeded methodically by first forming it in the rough, and gradually working in the details, the finest and most delicate last, just as a sculptor might fashion a statue.