Te eBooks
eBooks di Te editi da Traugott Bautz
Das Gedenkmuseum des Bischofs Strossmayer und die Zeichnungen auf Kartons vom Johann Friedrich Overbeck. E-book. Formato PDF Teodor Horvat - Traugott Bautz, 2022 -
Eine von den bekanntesten Sehenswürdigkeiten von Djakovo in Slawonien ist neben Kathedrale des heiligen Petrus, ganz gewiss das Gedenkmuseum des Bischofs Strossmayer, welches im Gebäude gegenüber von Kathedrale errichtet worden ist. Im Gedenkmuseum befinden sich neben vielen wertvollen Dokumenten, Büchern und Gegenständen, ein Porträt des Bischofs sowie vielen anderen Kunstgemälden. Dabei fachlich restaurierte Overbeks Kartons, die ursprünglich als Skizzen und Vorlagen für die Freskogemälde dienten, und für welchen Strossmayer öfters betont hatte, dass sie „ein Gegenstand der Predigt und des Trostes für das Volk und Bewunderung für die Nation sein werden“, ganz besonderen Ausstellungsplatz im Gedenkmuseum einnehmen.
Edith Stein, Europe and Its Identity - Europa und seine Identität. E-book. Formato PDF Teresa Marcinow - Traugott Bautz, 2022 -
The work of Edith Stein – Saint Teresa Benedykta of the Cross – is part of the most powerful interpretative sources of the “European spirit”. The foundations of European identity are related to the philosophy of ancient Greece, Roman law and the ethos of Judeo-Christianity. All three pillars of European culture co-create the conception of the person and its inalienable dignity, the idea of human rights, civil society and the rule of law.This book explains in two parts the relevance of Edith Stein’s work and moral patterns of life for the identity of contemporary Europe. The first part contains historical and philosophical-theological issues of Edith Stein’s creativity which offer a key to the problems of European identity. The second part is an attempt to explicate these issues in the context of diagnosing the current state of European identity.
Writing Against Aesthetic Ideology. E-book. Formato PDF Terri Jane Hennings - Traugott Bautz, 2022 -
This book aims to offer a retrospective "slice" of the debate between modernism and postmodernism that dominated academia in the 1980's, particularly in the United States. Looking at two works of fiction from two different authors from this period I hope to show how the debate and the influence of postmodernism was not confined to academic ivory towers but rather became "mainstream"; spreading postmodern ideas among the general reading public even if the public was not consciously aware of it. Although postmodernism itself was highly sceptical of narrative linearity, my strategy will be quintessentially narrative: to offer a flashback. What follows reflects the thinking of a certain period in critical and literary theory that raised heretofore unheard of questions: what exactly is a "text" and where are its boundaries? How are these boundaries produced and policed? Who has the authority to decide what is a "proper" literary text? In short, the last 40 years witnessed a radical transformation in the way literary scholars conceive of the terms "text" and "meaning," and not without fierce controversy. By looking back at this raging debate we can better understand where we are today in literary criticism and theory. But before diving into the work a bit of background is in order.