Arron Adams eBooks

eBooks editi da Arron Adams di Formato Mobipocket Stili artistici: Barocco

EBOOK   9786050425055

Tiepolo: his palette. E-book. Formato Mobipocket Arron Adams   -  Arron Adams, 2016  - 

Giambattista Tiepolo was the last of the great Venetian decorators, the purest exponent of the Italian Rococo, and arguably the greatest painter of the 18th century. Tiepolo was equally prized as a draftsman: his powers of invention were boundless and his facility without equal. His enormous output of frescoes and altarpieces was partly due to his practice (like Rubens before him) of painting small 'modelli' which, when approved by the client, could be carried out by his skilled assistants under his own supervision. Scores of these modelli and sketches survive, together with hundreds of drawings. He painted very few portraits. He also etched many plates, and, with Marco Ricci, was one of the founders of the great school of 18-century Venetian etchers.

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EBOOK   9788892594548

Jakob Jordaens: His Palette . E-book. Formato Mobipocket Arron Adams   -  Arron Adams, 2016  - 

Jacob Jordaens (1593 – 1678) was one of three Flemish Baroque painters, along with Peter Paul Rubens and Anthony van Dyck, to bring prestige to the Antwerp school of painting. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder.

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EBOOK   9788892593619

Rubens: His Palette . E-book. Formato Mobipocket Arron Adams   -  Arron Adams, 2016  - 

Peter Paul Rubens (1577-1640) was the most versatile and influential Baroque artist in northern Europe in the seventeenth century. Highly gifted and internationally oriented, the Flemish artist received commissions from almost all of Europe's major courts. His art blends the High Renaissance of Italy, with which he was familiar from an eight-year stay on the Italian peninsula, with northern realism. Having a phenomenal knowledge of classical antiquity, he was the prototype of the intellectual artist.

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