Maria Tsaneva eBooks
eBooks editi da Maria Tsaneva di Formato Mobipocket Disegni e tecniche del disegno
Winslow Homer: detailed paintings. E-book. Formato Mobipocket Maria Tsaneva - Maria Tsaneva, 2015 -
Winslow Homer was American painter, illustrator and etcher, one of the two most admired American late 19th-century artists and is considered to be the greatest pictorial poet of outdoor life in the United States and its greatest watercolorist. Nominally a landscape painter, in a sense carrying on Hudson River school attitudes, Homer was an artist of power and individuality whose images are metaphors for the relationship of Man and Nature. A careful observer of visual reality, he was at the same time alive to the purely physical properties of pigment and colour, of line and form, and of the patterns they create. His work is characterized by bold, fluid brushwork, strong draughtsmanship and composition, and particularly by a lack of sentimentality. Although Homer excelled above all as a watercolorist, his oils and watercolours alike are characterized by directness, realism, objectivity, and splendid colour. His powerful and dramatic interpretations of the sea in watercolour have never been surpassed and hold a unique place in American art. They are in leading museums throughout the United States.
William Blake: Masterpieces In Colour . E-book. Formato Mobipocket Maria Tsaneva - Maria Tsaneva, 2015 -
William Blake was English artist, draughtsman, engraver, philosopher, and poet, one of the most remarkable figures of the Romantic period. In art as in life Blake was an individualist who made a principle of nonconformity. He had a prejudice against painting in oils on canvas and experimented with a variety of techniques in colour printing, illustration, and tempera. His work as an artist is almost impossible to divorce from the complex philosophy expressed also through his poetry. He believed that the visible world of the senses is an unreal envelope behind which the spiritual reality is concealed and set himself the impossible task of creating a visual symbolism for the expression of his spiritual visions. He refused the easy path of vagueness and misty suggestion, remaining content with nothing less than the maximum of clarity and precision. To most of his contemporaries Blake seemed merely an eccentric, and his genius was not generally recognized until the second half of the 19th century.